Colección: 墨 Colored Sumi
Mr. Horiike is the first sumi ink stick artisan in Japan who developed and introduced colored sumi ink stick or “Saiemboku.
After being featured and gaining popularity in the book 'Gokujouhin in the Study' (published by Shogakukan Bunko), he has continued to expand his product line as the SAIEMBOKU series, introducing various colors, and now the color variations exceed 40. If you are looking for any specific color, do not hesitate to contact us.

彩煙墨 saiemboku series



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【KISHU】“SAIEMBOKU”, watercolor sumi ink sticks good for calligraphy and sumie painting
Precio habitual $21.00Precio habitualPrecio unitario / por -
【KISHU & ARITA】 Arita Porcelain suzuri (OMOTE) - FUJISAN & 8 watercolor sumi ink sticks good for calligraphy and sumie painting
Precio habitual $239.00Precio habitualPrecio unitario / por -
【KISHU & ARITA】Arita Porcelain suzuri (URA) & SAIEMBOKU, watercolor sumi ink stick
Precio habitual $85.00Precio habitualPrecio unitario / por -
【KISHU】Arita Porcelain suzuri (OMOTE) - FUJISAN & blue watercolor sumi ink stick
Precio habitual $85.00Precio habitualPrecio unitario / por -
【KiISHU】5 BLUE SHADES from SAIEMBOKU Series
Precio habitual $120.00Precio habitualPrecio unitario / por -
【KISHU】5 BLACK from SAIEMBOKU Series
Precio habitual $120.00Precio habitualPrecio unitario / por -
【KISHU & ARITA】Arita Porcelain suzuri (URA) comes with 1 KISHU SUMI & 4 SAIEMBOKU
Precio habitual $211.00Precio habitualPrecio unitario / por -
【KISHU】GOLD & SILVER sumi
Precio habitual A partir de $71.00Precio habitualPrecio unitario / por -
【KISHU】“SAIEMBOKU” & precious shoenboku, KISHU SUMI
Precio habitual $127.00Precio habitualPrecio unitario / por
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Maki Fude (cored brushes) vs Suihitsu (non-core...
A Makifude has Japanese paper wrapped around its core; therefore, only about one-third of the bristles on a Makifude brush are exposed for use, while the bristles of a Suihitsu...
Maki Fude (cored brushes) vs Suihitsu (non-core...
A Makifude has Japanese paper wrapped around its core; therefore, only about one-third of the bristles on a Makifude brush are exposed for use, while the bristles of a Suihitsu...
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Two different ways of making brushes
Fude making has been practiced throughout Japan for centuries, and while the manufacturing methods can vary somewhat depending on the region and shokunin, they can be broadly categorized into two...
Two different ways of making brushes
Fude making has been practiced throughout Japan for centuries, and while the manufacturing methods can vary somewhat depending on the region and shokunin, they can be broadly categorized into two...
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Season of Sumi making is over this year. Sumi i...
The production of sumi ink takes place during winter. This is because one of the raw materials for sumi, Nikawa glue, may not solidify or may even rot when it...
Season of Sumi making is over this year. Sumi i...
The production of sumi ink takes place during winter. This is because one of the raw materials for sumi, Nikawa glue, may not solidify or may even rot when it...
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Yoichi Hieda awarded at the 47th Yamaguchi Trad...
It is our great pleasure to announce that Yoichi Hieda is awarded the "Japan Crafts Association Yamaguchi Branch Director's Award", the equivalent of the first prize, at the 47th Yamaguchi...
Yoichi Hieda awarded at the 47th Yamaguchi Trad...
It is our great pleasure to announce that Yoichi Hieda is awarded the "Japan Crafts Association Yamaguchi Branch Director's Award", the equivalent of the first prize, at the 47th Yamaguchi...