Collection: 筆 pinceaux
It is believed that brushes are first introduced to Japan in the early Yamato period through cultural exchanges with China. In the era of Emperor Saga (around 812 AD), the Buddhist monk Kukai (Kobo Daishi) traveled to Tang China, learned the art of brush making, and upon returning to Japan, passed on his knowledge to the general public. This is considered the beginning of brush making in Japan.
Currently, the prevalent type of fude brush used in Japan is the "Suihitsu (written as 水筆)", also called as Mushinhitsu(written as 無芯筆), brush without a core. It has originated from the late Edo period to the Meiji period. However, it's important to note that not all brushes with bristles are of the "Suihitsu" type. There exists a distinct structure known as "Yūshihitsu" (written as 有芯筆), represented by brushes such as "Kamimaki Fude" (紙巻筆) or "Maki Fude" (巻筆).
In fact, the oldest brushes preserved in the Shosoin Repository, renowned for housing cultural treasures representing the culture of the Nara period (8th century), are all of the "Yūshinhitsu" type. This includes 18 varieties of brushes dating back to the Nara period, showcasing the cultural richness of the 8th century worldwide.
奈良筆伝統工芸士 Kazuo Suzuki
攀桂堂筆師 Junichi Fujino
川尻筆伝統工芸士 Koso Hata
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巻筆 (Cored brushes)
To know moreA brush made by wrapping and solidifying a core hair with washi paper, then putting another layer of hair on top and tightening it with linen thread. It is also known as a 'Makifude.' The distinctive features of this brush include excellent hair cohesion and resilience. Currently, the only workshop producing this type of Makifude is 'Hankeido.
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水筆 (Non-cored brushes)
To know moreA brush without a core is fixed to the shaft by solidifying the base of the brush tip, is also called "Suihitsu". Its distinctive feature is excellent ink absorption. The majority of brushes produced today fall into the category of Mizufude.
brushes
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【創業400年 攀桂堂】 SUMIE FUDE for Sumie paintings
Prix habituel Du $26.00Prix habituelPrix unitaire / par -
【奈良筆:伝統工芸士 鈴木一朗氏作】 KASHIN pour les peintures Suibokuga
Prix habituel Du $28.00Prix habituelPrix unitaire / par -
【奈良筆】SAKUYO Fude for Suibokuga & Nihonga paintings
Prix habituel Du $24.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】Jakuto Fude (Sparrow-Head Brush)
Prix habituel Du $28.00Prix habituelPrix unitaire / par -
【奈良筆】Calligraphy brush "KEIFUKU" (also known as "Demonic Brushes")
Prix habituel $141.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】Nukina Suoh Brush
Prix habituel Du $28.00Prix habituelPrix unitaire / par -
RYUTOMAKI FUDE composé de différents types de cheveux combinés dans une boîte en paulownia.(taille : SS)
Prix habituel Du $113.00Prix habituelPrix unitaire / par -
【奈良筆】Enso Brush by Suzuki san
Prix habituel $350.00Prix habituelPrix unitaire / parÉpuisé -
【奈良筆】MENSO Fude Selection
Prix habituel Du $14.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】Tenpyo Fude
Prix habituel Du $94.00Prix habituelPrix unitaire / par -
【奈良筆】Calligraphy brush "Sokuten Kyoshi" (one of the Three Brothers of the Demonic Brush)
Prix habituel $244.00Prix habituelPrix unitaire / par -
【奈良筆】Calligraphy brush "Mitsudanuri" (one of the The Three Brothers of the Demonic Brush)
Prix habituel $196.00Prix habituelPrix unitaire / par -
【川尻筆:羊毛筆】 KO SAIKOHO - MEIGETSU
Prix habituel $176.00Prix habituelPrix unitaire / par -
【川尻筆:文進堂】MABOROSHI
Prix habituel $293.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】SHIBIEN
Prix habituel $38.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】AMAO Tanpo Fude: highly recommended for ENSO writing
Prix habituel Du $38.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】Kana Fude selction
Prix habituel Du $14.00Prix habituelPrix unitaire / par -
【創業400年 攀桂堂】KENGO FUDE
Prix habituel Du $26.00Prix habituelPrix unitaire / par -
【奈良筆】KASUI for Suibokuga paintings
Prix habituel Du $66.00Prix habituelPrix unitaire / par
What's new.
Tout afficher-
Maki Fude (cored brushes) vs Suihitsu (non-core...
A Makifude has Japanese paper wrapped around its core; therefore, only about one-third of the bristles on a Makifude brush are exposed for use, while the bristles of a Suihitsu...
Maki Fude (cored brushes) vs Suihitsu (non-core...
A Makifude has Japanese paper wrapped around its core; therefore, only about one-third of the bristles on a Makifude brush are exposed for use, while the bristles of a Suihitsu...
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Horiike san on the NHK program called 'CYCLE AR...
In the NHK program called 'CYCLE AROUND JAPAN: Kii Mountains - Climbing Uphill with a Smile,' a cyclist visited Horiike-san. The film shows how pine soot sumi ink is made....
Horiike san on the NHK program called 'CYCLE AR...
In the NHK program called 'CYCLE AROUND JAPAN: Kii Mountains - Climbing Uphill with a Smile,' a cyclist visited Horiike-san. The film shows how pine soot sumi ink is made....
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Two different ways of making brushes
Fude making has been practiced throughout Japan for centuries, and while the manufacturing methods can vary somewhat depending on the region and shokunin, they can be broadly categorized into two...
Two different ways of making brushes
Fude making has been practiced throughout Japan for centuries, and while the manufacturing methods can vary somewhat depending on the region and shokunin, they can be broadly categorized into two...