Kategorie: 筆 brushes

It is believed that brushes are first introduced to Japan in the early Yamato period through cultural exchanges with China.  In the era of Emperor Saga (around 812 AD), the Buddhist monk Kukai (Kobo Daishi) traveled to Tang China, learned the art of brush making, and upon returning to Japan, passed on his knowledge to the general public. This is considered the beginning of brush making in Japan.

Currently, the prevalent type of fude brush used in Japan is the "Suihitsu (written as 水筆)", also called as Mushinhitsu(written as 無芯筆), brush without a core. It has originated from the late Edo period to the Meiji period. However, it's important to note that not all brushes with bristles are of the "Suihitsu" type. There exists a distinct structure known as "Yūshihitsu" (written as 有芯筆), represented by brushes such as "Kamimaki Fude" (紙巻筆) or "Maki Fude" (巻筆).

In fact, the oldest brushes preserved in the Shosoin Repository, renowned for housing cultural treasures representing the culture of the Nara period (8th century), are all of the "Yūshinhitsu" type. This includes 18 varieties of brushes dating back to the Nara period, showcasing the cultural richness of the 8th century worldwide.

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  • The structure of cored brushes (maki fude)

    巻筆 (Cored brushes)

    A brush made by wrapping and solidifying a core hair with washi paper, then putting another layer of hair on top and tightening it with linen thread. It is also known as a 'Makifude.' The distinctive features of this brush include excellent hair cohesion and resilience. Currently, the only workshop producing this type of Makifude is 'Hankeido.

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  • 水筆 (Non-cored brushes)

    A brush without a core is fixed to the shaft by solidifying the base of the brush tip, is also called "Suihitsu". Its distinctive feature is excellent ink absorption. The majority of brushes produced today fall into the category of Mizufude.

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